Nika of the Coven, Guardian, and Vice President Of Corporate Negotiations for Demidova Incorporated, stood frozen, listening with five supernaturally acute senses and a sixth sense that was just flat-out supernatural.
#SNIPPIT BLANK SPACE SKIN#
Up close, blonde hair and white skin suddenly lightened the pool of blackness. Thirty feet away, a dark shadow appeared for just a moment, then slid into the gloom cast by the bulk of the nearest building. She stood utterly still, soaking up the night, her milk-white skin seeming to pull the light into it. The darkened car sat for a moment, as if watching, then the driver’s door opened and a slim female figure rose from inside briefly illuminated by the soft interior lighting before the door thunked shut.ĭressed in black slim-fit jeans, black calf-high boots, black shirt, and a black leather jacket, the woman’s pale skin and blonde hair stood out in the faint luminescence of the few widely spaced street lights. It swerved into a shadowed lot between two buildings and shut down, the rumble of its powerful engine dropping off into the pings and tings of cooling metal. The Mustang prowled the beat-up streets between hulking old buildings, nosing deeper into the old industrial area. A few, a very few, were still just warehouses, if not visibly busy ones, and now, in early spring, the nights were quiet and empty. Many other abandoned old industrial buildings had been converted to thrift shops, antique stores, flea markets, artist lofts, cafés, and architectural salvage shops. At least four of the giant old multistory buildings had been converted into elaborate, twisting, creepy scare houses that drew eager visitors by the thousands during the month of Samhain. During the entire month of October, the evenings would see it filled with hundreds of young people seeking the thrills of some of the largest, most extensive Halloween haunted houses in the United States. This time of night, West Bottoms was quiet. The car was a new model, maybe only a year or two old, and rumbled with tightly restrained power as if it balked at traveling so slowly. The midnight blue Ford Mustang rolled down the exit ramp and off the busy highway, entering into Kansas City’s old warehouse district, known locally as West Bottoms. Both are shows ans empty in MS while being filled in when viewed in PS.Knowing the thoughts of those around you seems like a wonderful gift, but I imagine the truth of it would be a mixed bag. One notating a point with an arrow and one notating an end with a rectangular shape. In my given example there are two polylines that are at opposite ends of the line.
#SNIPPIT BLANK SPACE FULL#
NOTE: The original drawing was from an outside source that was drawn in Autocad 2004 (Full License assumption) and what is being shifted between views was drawn in Autocad LT 2016 and Autocad Full License 2016.Įdit: Random note, not sure how relevant this is to the issue. However the majority of the drawing has been already drawn and has the same issue. Now when copied and pasted, the same duplicated objects do not move when viewing in PS. So the Text and the Circle remain on Point A and the Line remains the same length, however, Line AB has now shifted to a different two points of C and D. Not differently but in relation to one another. Now when viewed through a viewport in Paperspace (PS) the Line, the Text, and the Circle have ALL shifted.
They are all drawn on the same annotative scale (the text is not annotative however). The line, the text, and the circle are all drawn on the same layer, let's call it layer 1. The line has a text number 4 with a circle encompassing the text placed on top of the line at point A. So here is an example of the issue I am having.īasically a Line is drawn in Modelspace (MS) and starts from point A and continues to point B. However I have looked into this issue and found no answers via Google or the Autodesk Community.ĭue to confidentially, I am unable to post screenshots or the DWG online. So the issue is with a project that I have not been personally working on.
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